Hyperallergic: A Fuller Picture of Piet Mondrian
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Pieter Cornelis Mondriaan, known after 1911 as Piet Mondrian, was a Dutch painter and art theoretician, who is regarded as one of the greatest artists of the 20th century. He was one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was taken down to s…
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culture · Dutch painter (1872–1944) · painter · draftsperson · architectural drafter · illustrator · etcher · visual artist · furniture designer · exlibrist · watercolorist · writer · also Piet Mondrian, Mondriaan, Piet Cornelis Mondrian, Piet Cornelies Mondrian, Mondrian
Born 7 March 1872 · Died 1 February 1944 · Q151803
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Hyperallergic: A Fuller Picture of Piet Mondrian
Artnet: In Pictures: Tate Modern Pairs Abstract Art Pioneers Hilma af Klint and Piet Mondrian—Who Never Met in Life But Shared a Love of Nature
Forbes: Here’s Why This Piet Mondrian Painting Sold For $51 Million—More Than 20 Times The Last Price It Fetched At Auction
Observer: A Piet Mondrian Painting Sold for a Record Breaking $51 Million at Auction
Forbes: Rare Piet Mondrian Painting Could Sell For More Than $50 Million
Smithsonian Magazine: Who Was Piet Mondrian Before He Painted His Iconic Abstract Grids?
By the watch "RED, BLUE AND WHITE, BY PIET MONDRIAN (SUOZ344)" which celebrates the painting Composition in Red, Blue and White II as part of a collaboration between Swatch and Centre Pompidou
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Design historian Stephen Bayley wrote: "Mondrian has come to mean Modernism
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Tecno, in Partnership with Museum of Fine Arts, released a Special Edition of their Camon 19 Pro smartphone, incorporating his paintings into its design
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Moneycontrol: Piet Mondrian
Career landmark: claim for restitution of an artwork.
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Hyperallergic: The Geometric Aesthetics of Piet Mondrian's Studios
The Dutch television program Andere Tijden found the only known movie footage with Mondrian
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Nike released a pair of Dunk Low SB shoes inspired by Mondrian's neo-plastic paintings
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Had been displayed upside down, since at least 1980, at the Kunstsammlung Nordrhein-Westfalen in Germany, where it is now held
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Died 1944-02-01.
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“When I first saw the work of the Impressionists, Van Gogh, Van Dongen and the Fauves, I admired it. But I had to seek the true way alone.”
“¿Cuadrados? No veo ningún cuadrado en mis cuadros.”
“We arrive at a portrayal of other things, such as the laws governing matter. These are the great generalities – Which do not change.”
Left London for Manhattan in New York City, where he would remain until his death
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Living in North London, he would stroll down to Camden Town to dance at the Camden Palace or the Bedford
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And 1940, across the Atlantic to Manhattan
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In Paris, was carried to Mondrian when he emigrated to New York, where he completed the painting in 1942 - one of Mondrian's so called 'transatlantic paintings'
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Katherine Dreier, co-founder of New York City's Society of Independent Artists (along with Marcel Duchamp and Man Ray), visited Piet Mondrian's studio in Paris and acquired one of his diamond compositions, Painting I
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“the art of the foreseeable future for all true Anthroposophists and Theosophists”
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In a letter to Steiner, Mondrian argued that his neoplasticism was "the art of the foreseeable future for all true Anthroposophists and Theosophists"
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Mondrian’s text was translated into French and published as Le Néoplasticisme
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The style for which he came to be renowned began to appear
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Set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of neoplasticism about which he had been writing for two years
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Mondrian returned to France, where he would remain until 1938
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Wrote "I got everything from the Secret Doctrine", referring to a book written by Blavatsky
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“My technique which was more or less Cubist, and therefore more or less pictorial, came under the influence of his precise method.”
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Mondrian wrote, "My technique which was more or less Cubist, and therefore more or less pictorial, came under the influence of his precise method
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World War I began, forcing him to remain there for the duration of the conflict
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"Art is higher than reality and has no direct relation to reality
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Began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting
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“[on his two paintings 'Sea' and 'Trees', both made in 1912”
Mondrian moved to Paris and changed his name, dropping an "a" from "Mondriaan", to emphasize his departure from the Netherlands, and his integration within the Parisian avant-garde
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Marked the beginning of a period of profound change
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Became interested in the theosophical movement launched by Helena Petrovna Blavatsky in the late 19th century, and in 1909 he joined the Dutch branch of the Theosophical Society
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Mondrian entered the Academy for Fine Art in Amsterdam
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Born 1872-03-07.
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