“use magnifying glasses to look for my flaws and they even distort the meaning of my poems”
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Mo Yan, born Guan Moye, is a Chinese writer. He gained attention for his 1984 novella, A Transparent Radish, and rose to international fame for his 1986 novel Red Sorghum, the first two parts of which were adapted into the Golden Bear-winning film Red Sorghum (1988). In 2012, he was awarded the Nobel Prize in Literature for his work which "with hallucinatory realism merges folk tales, history and…
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culture · Chinese author (born 1955) · writer · novelist · teacher · screenwriter · also Mo Yan, Guan Moye, Yan Mo, Yan
Born 17 February 1955 · Q8998
37 published statements · 0 followers
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“use magnifying glasses to look for my flaws and they even distort the meaning of my poems”
Newsargenchina: De Borges a Mo Yan: un seminario de la UBA propone descubrir el lado fantástico de la literatura china
Mo Yan became the deputy chair of the Chinese Writers Association
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Awarded honorary doctor of the Aix-Marseille University (2015).
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The Guardian: Frog by Mo Yan review – the Chinese Nobel laureate’s award-winning novel
The Guardian: Mo Yan dismisses 'envious' Nobel critics
The Guardian: Pow! by Mo Yan – review
The Guardian: Salman Rushdie defends his right to call Mo Yan a 'patsy'
The Guardian: Pankaj Mishra: why Salman Rushdie should pause before condemning Mo Yan on censorship
The Guardian: Mo Yan accepts Nobel prize, defends 'necessary' censorship
Awarded the Nobel Prize in Literature — who with hallucinatory realism merges folk tales, history and the contemporary.
The Guardian: Mo Yan's Nobel nod a 'catastrophe', says fellow laureate Herta Müller
The Guardian: Mo Yan's Red Sorghum village home may never be the same again
The Guardian: My hero: Mo Yan
Awarded Nobel Prize in Literature (2012).
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Mo Yan became the first Chinese citizen to receive the Nobel Prize in Literature
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Was awarded the Nobel Prize in Literature for his work which "with hallucinatory realism merges folk tales, history and the contemporary"
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Awarded Fukuoka Asian Culture Prize (2006).
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Awarded International Nonino Prize (2005).
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“Opis: wykład na Wolnym Uniwersytecie Hongkongu (2005).”
Awarded Prix Laure Bataillon (2000).
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Mo Yan, along with Wang Meng and Liu Xinwu, was a referee for an online literature contest hosted by NetEase which contributed to the early growth of internet literature in China
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“Gdybym był w rządzie, zachęcałbym do masowego przechodzenia na buddyzm. To doskonały sposób na spokojne, ciche społeczeństwo.”
“Obfite piersi oraz krągłe kobiece biodra to najpiękniejsza, najbardziej doniosła, najświętsza i najbardziej czysta forma świata fizykalnego.”
“Opis: uzasadnienie werdyktu Akademii.”
“(…) jeśli nazwy nie są właściwe, język nie mówi prawdy.”
“Ludzie i zwierzęta niewiele się od siebie różnią.”
“(…) czy możliwe jest istnienie komunistycznego społeczeństwa? Ja sądzę, że jest ono niemożliwe, gdyż sprzeczne z ludzką naturą.”
Mo Yan graduated from Beijing Normal University with a master's degree in literature
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Mo Yan's novella Joy was published in People's Literature
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The five parts that formed his first novel, Red Sorghum (1987), were published serially
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Mo Yan published his first novella and claim to literary fame, A Transparent Radish
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Was admitted to the People's Liberation Army Academy of Art on the strength of his short story Folk Music, published in Lian Chi, an imitation of Carson McCullers's The Ballad of the Sad Café
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Was promoted and then transferred to the PLA's Joint Staff Department in Beijing
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During his years as a PLA soldier stationed there
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Mo Yan published his first works in a literary magazine Lian Chi based in Baoding, where he was stationed
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Born 1955-02-17.
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