“to show them even when everything appears to have been said”
- #wikipedia
- #quote
- #trusted-source
- #www.theguardian.com
- #corroborated

Figure timeline
Michelangelo Antonioni was an Italian film director, screenwriter, and editor. He is best known for a trio of films often dubbed the "alienation trilogy": L'Avventura (1960), La Notte (1961), and L'Eclisse (1962); the English-language film Blowup (1966); and the multilingual The Passenger (1975). His films have been described as "enigmatic and intricate mood pieces" that feature striking visual c…
Text from Wikipedia, available under CC BY-SA 4.0.
culture · Italian filmmaker (1912–2007) · film director · screenwriter · film editor · film producer · painter · poet · director · author · writer · film screenwriter · also Michelangelo Antonioni, Antonioni
Born 29 September 1912 · Died 30 July 2007 · Q55433
44 published statements · 0 followers
See & hear
2 photos
Media from Wikimedia Commons, hotlinked at the source under its own licence — see each file for author and terms.
Live now
Pulling headlines from trusted outlets — this usually takes a few seconds
Checking the wires…
Feed scan
These are live links, not archived citations — they only join the timeline once a collect run verifies and archives them.
Live pulse
Most recent outstanding titles, awards, and quotes
a rigid and stereotyped morality which all of us recognize as such and yet sustain out of cowardice and sheer laziness [...] We have examined those moral attitudes very carefully, we have dissected them and analyzed them to the point of exhaustion. We have been capable of all this, but we have not been capable of finding new ones.
76%WikipediaSource
“to show them even when everything appears to have been said”
“a rigid and stereotyped morality which all of us recognize as such and yet sustain out of cowardice and sheer laziness [...] We have examined those moral attitudes very carefully, we have dissected them and analyzed them to the point of exhaustion. We have been capable of all this, but we have not been capable of finding new ones.”
Text from Wikipedia, available under CC BY-SA 4.0.
The New York Times: Michelangelo Antonioni
The Guardian: Identification of a Woman review – Michelangelo Antonioni’s midlife crisis of a movie
Yahoo: Michelangelo Antonioni Screenplay To Be Finally Shot by Gullane, Similar, Andre Ristum (EXCLUSIVE)
Forbes: Michelangelo Antonioni's 'The Passenger' Returns To U.K. Screens
The Guardian: Michelangelo Antonioni, the shallow bore – archive, 1963
World Socialist Web Site: Michelangelo Antonioni—a flawed legacy
Filmmaker: Michelangelo Antonioni on the Utility of Mystery
"Technically Sweet" became an international group exhibition curated by Copenhagen-based artists Yvette Brackman and Maria Finn, in which the creations of artists, working in multiple mediums and based on Antonioni's man
Text from Wikipedia, available under CC BY-SA 4.0.
Hindustan Times: Remembering Michelangelo Antonioni
Died 2007-07-30.
Text from Wikipedia, available under CC BY-SA 4.0.
Stating that his films "posed mysteries—or rather the mystery, of who we are, what we are, to each other, to ourselves, to time
Text from Wikipedia, available under CC BY-SA 4.0.
“The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.”
“We know that under the image revealed there is another which is truer to reality and under this image still another and yet again still another under this last one, right down to the true image of that reality, absolute, mysterious, which no one will ever see or perhaps right down to the decomposition of any image, of any reality.”
Jean-Luc Godard judges that Antonioni is the filmmaker who has most influenced contemporary cinema
Text from Wikipedia, available under CC BY-SA 4.0.
That while he considered the Antonioni films Blowup and La notte masterpieces, he found the other films boring and noted that he had never understood why Antonioni was held in such esteem
Text from Wikipedia, available under CC BY-SA 4.0.
Received an Honorary Oscar "in recognition of his place as one of cinema's master visual stylists"
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Academy Honorary Award (1994).
Text from Wikipedia, available under CC BY-SA 4.0.
Was given an Honorary Academy Award "in recognition of his place as one of cinema's master visual stylists"
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded European Film Academy Lifetime Achievement Award (1993).
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni suffered a stroke that left him aphasic and partly paralyzed
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni published the book That Bowling Alley on the Tiber, which contains sketch stories and musings he described as "nuclei" for possible films
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni directed Il mistero di Oberwald (The Mystery of Oberwald), based on Jean Cocteau's play, L'Aigle à deux têtes (The Eagle With Two Heads)
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded David di Donatello Luchino Visconti (1976).
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni was invited to China to film the achievements of the Cultural Revolution
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Nastro d'argento for best non-Italian film for Blowup (1968).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded National Society of Film Critics Award for Best Director for Blowup (1966).
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni drafted a treatment titled "Technically Sweet", which he later developed into a screenplay with Mark Peploe, Niccolo Tucci, and Tonino Guerra, with plans to begin filming in the early 1970s with Jack Nicholson
Text from Wikipedia, available under CC BY-SA 4.0.
Won Golden Lion for Red Desert (1964).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Jury Prize for Eclipse (1962).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded David di Donatello for Best Director for La Notte (1961).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Jury Prize for L'Avventura (1960).
Text from Wikipedia, available under CC BY-SA 4.0.
Won Sutherland Trophy for L'Avventura (1960).
Text from Wikipedia, available under CC BY-SA 4.0.
Won Golden Leopard for Il Grido (1957).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Nastro d'Argento for the director of the best film (1956).
Text from Wikipedia, available under CC BY-SA 4.0.
Awarded Grolla d'oro for Best Direction for Le Amiche (1956).
Text from Wikipedia, available under CC BY-SA 4.0.
Earned Silver Lion (1955).
Text from Wikipedia, available under CC BY-SA 4.0.
Travelled to France to assist Marcel Carné on Les visiteurs du soir and began a series of short films with Gente del Po (1943), a story of poor fishermen of the Po valley
Text from Wikipedia, available under CC BY-SA 4.0.
Studied at Experimental Centre of Cinematography (1940–1942).
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni co-wrote A Pilot Returns with Roberto Rossellini and worked as assistant director on Enrico Fulchignoni's I due Foscari
Text from Wikipedia, available under CC BY-SA 4.0.
Antonioni moved to Rome, where he worked for Cinema, the official Fascist film magazine edited by Vittorio Mussolini
Text from Wikipedia, available under CC BY-SA 4.0.
Studied at University of Bologna (1935).
Text from Wikipedia, available under CC BY-SA 4.0.
Born 1912-09-29.
Text from Wikipedia, available under CC BY-SA 4.0.
Connections