Came to reject the standard twelve-tone equal temperament of Western concert music when he discovered a translation of Hermann von Helmholtz's Sensations of Tone
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Came to reject the standard twelve-tone equal temperament of Western concert music when he discovered a translation of Hermann von Helmholtz's Sensations of Tone
Text from Wikipedia, available under CC BY-SA 4.0.
Captured 2026-08-22 from Wikipedia. The archived copy is preserved so this citation survives link rot.