“A corral of madmen and two who are fighting, naked, with their keeper beating them and others with sacks (a subject which I witnessed in Saragossa).”
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Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. He is widely regarded as one of the most influential figures in the history of Western art.
culture · Spanish painter and printmaker (1746–1828) · painter · printmaker · lithographer · etcher · graphic artist · draftsperson · visual artist · also Francisco Goya, Francisco Goya Lucientes, Francisco de Goya y Lucientes, Francisco José Goya Lucientes, Francisco José de Goya y Lucientes, Goya
Born 30 March 1746 · Died 16 April 1828 · Q5432
26 published statements · 0 followers
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“A corral of madmen and two who are fighting, naked, with their keeper beating them and others with sacks (a subject which I witnessed in Saragossa).”
“to occupy my imagination, tormented as it is by contemplation of my sufferings.”
БТА: Francisco Goya: Dreams of a Keen Mind Opens at National Gallery
An extensive exhibition of Goya's etchings was held at the Norton Simon Museum in Southern California
Exhibition at the Metropolitan Museum of Art; catalog by Mark McDonald ISBN 978-1-588-39714-0
Goya's body was re-interred in the Real Ermita de San Antonio de la Florida in Madrid
“His Majesty's Giant Anteater – A New Goya is Discovered!”
Based on Goya's paintings called Goyescas, and later wrote an opera of the same name based on the suite
Studied at Royal Academy of Fine Arts of San Fernando.
Studied at School of St. Thomas Aquinas of the Piarist Schools of Zaragoza.
Studied at Real Academia de Nobles y Bellas Artes de San Luis.
Career landmark: court painter.
Died 1828-04-16.
“El sueño de la razón produce monstruos.”
To retire to the French city of Bordeaux, accompanied by his much younger maid and companion, Leocadia Weiss, who may have been his lover
Goya denied any involvement with the French
But relations with Goya were not cordial
Was painting The Second of May 1808 and The Third of May 1808, and preparing the series of etchings later known as The Disasters of War (Los desastres de la guerra)
Leading to the Peninsular War of 1808–1814
All Godoy's property was seized by Ferdinand VII after his fall from power and exile, and in 1813 the Inquisition confiscated both works as 'obscene', returning them in 1836 to the Academy of Fine Arts of San Fernando
Napoleon led the French army into the Peninsular War against Spain
Give valuable insight into Goya's early years at the court in Madrid
“s death in 1803 give valuable insight into Goya”
Painted Godoy in a commission to commemorate the victory in the brief War of the Oranges against Portugal
“The Sleep of Reason Produces Monsters”
Born 1746-03-30.