Le Dauphiné Libéré: Saint-Gervais-les-Bains Une conférence sur Eugène Viollet-Le-Duc
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Eugène Emmanuel Viollet-le-Duc was a French architect and writer, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.
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culture · French architect and author (1814–1879) · architect · writer · architectural drafter · art historian · architectural historian · restorer · castellologist · preface author · historic preservationist · also Eugène Viollet-le-Duc, Eugène-Emmanuel Viollet-le- Duc, Eugene Emmanuel Viollet-le-Duc, Eugène-Emmanuel Viollet-le-Duc, Eugène-Emmanuel Viollet- Le-Duc, Eugène Emmanuel Viollet-Le- Duc
Born 27 January 1814 · Died 17 September 1879 · Q272912
44 published statements · 0 followers
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he [Peers] laid down the principles which have governed architectural conservation in the United Kingdom and have served as a model in other parts of the world. His cardinal principle was to retain but not to restore the surviving remains of an ancient structure; and in this respect he departed emphatically from the tradition of Viollet-le-Duc and his successors in France and Italy, where exuberant restoration frequently obscured the evidence upon which it was based ...
Won Royal Gold Medal (1864).
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Le Dauphiné Libéré: Saint-Gervais-les-Bains Une conférence sur Eugène Viollet-Le-Duc
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The writer Geneviève Viollet-le-Duc (winner of the prix Broquette-Gonin in 1978) was his great-granddaughter.
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“he [Peers] laid down the principles which have governed architectural conservation in the United Kingdom and have served as a model in other parts of the world. His cardinal principle was to retain but not to restore the surviving remains of an ancient structure; and in this respect he departed emphatically from the tradition of Viollet-le-Duc and his successors in France and Italy, where exuberant restoration frequently obscured the evidence upon which it was based ...”
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And a larger, centennial exhibition took place in 1980
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His grave and monument were transferred to the Cemetery of Bois-le-Vaux (Section XVIII) in Lausanne
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But the Museum of French Monuments was preserved and can be seen there today
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His gargoyles and original ornamentation were removed, and the spire was recovered with tiles
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And won a large following in the United States
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Died 1879-09-17.
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Became ill and died in Lausanne on 17 September 1879
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Making it available to an American audience little more than a decade after its initial publication in France
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Viollet-le-Duc resigned as diocesan architect of Paris and was succeeded by his contemporary, Paul Abadie
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Viollet-le-Duc was engaged in the reconstruction of the Château d'Amboise, owned by the descendants of the former King, Louis-Philippe
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Won Royal Gold Medal (1864).
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Viollet-le-Duc was named a professor at the École des Beaux-Arts, the school where he had refused to become a student
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Career landmark: diocesan architect (1860–1874).
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Viollet-le-Duc began designing an entirely new chateau on the ruins
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Using examples from other medieval churches and debris from Notre-Dame as his model, his workshop produced dragons, chimeras, grotesques, and gargoyles, as well as an assortment of picturesque pinnacles and fleurons
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Engaged in a fervent exchange in print with Quatremère de Quincy, the Perpetual Secretary of the French Academy, on the question, "Is it suitable, in the 19th century, to build churches in the Gothic style
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The new tower, overloaded with masonry, began to crack, and Viollet-le-Duc was called in
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“Description of an Oblique Bridge over the River Gaunless on the Hagger Leases Branch Railway Durham”
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With the backing of Mérimée, Viollet-le-Duc, just thirty years old, and Lassus, then thirty-seven, won a competition for the restoration of Notre-Dame Cathedral which lasted twenty-five years
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Mérimée took Viollet-le-Duc with him to Burgundy and the south of France, on one of his long inspection tours of monuments
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In collaboration with his friend the architect Jean-Baptiste Lassus he began the restoration of Sainte-Chapelle in Paris, which had been turned into a storage depot after the Revolution
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Presented several of his drawings at the Paris Salon, and began making a travel book, Picturesque and romantic images of the old France, for which, between 1838 and 1844, he made nearly three hundred engravings
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At the age of twenty, he married Élisabeth Templier, and in the same year he was named an associate professor of ornamental decoration at the Royal School of Decorative Arts, which gave him a more regular income
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Viollet-le-Duc married Elisabeth Tempier in Paris on 3 May 1834.
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As a student at the college de Bourbon (now the Lycée Condorcet)
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Began his education at the Pension Moran, in Fontenay-aux-Roses
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Or 1823, Eugène met Prosper Mérimée, a writer who would play a decisive role in his career
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Became the overseer of the royal residences of Louis XVIII
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Born 1814-01-27.
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And Mérimée declared it an historic monument in 1848
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But the École had an extremely rigid system, based entirely on copying classical models, and Eugène was not interested
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