“There are idiots who define my work as abstract. Yet what they call abstract is what is most realistic. What is real is not appearance, but the idea, the essence of things.”
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Constantin Brâncuși was a Romanian sculptor, painter, and photographer. Considered one of the most influential sculptors of the 20th century and a pioneer of modernism, Brâncuși is called the patriarch of modern sculpture. As a child, he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 19…
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culture · Romanian sculptor, photographer and painter (1876–1957) · sculptor · photographer · painter · illustrator · architectural drafter · assemblage artist · also Constantin Brâncuși, Constantin dynamita, Constantin Brîncuși, Constantin Brâncuşi, Constantin Brincusi, Constantin Brâncusi
Born 19 February 1876 · Died 16 March 1957 · Q153048
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I polished the material to find the continuous line. When I realized that I could not find it, I stopped, as though someone unseen had struck my hands.
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“There are idiots who define my work as abstract. Yet what they call abstract is what is most realistic. What is real is not appearance, but the idea, the essence of things.”
“I polished the material to find the continuous line. When I realized that I could not find it, I stopped, as though someone unseen had struck my hands.”
“To make art free and universal, you must create like a god, command like a king, and execute like a slave.”
Public attention spiked: 2,786 Wikipedia readers in one day, 8.7× the usual 319, with 8 article edits. Editors noted: Revised lead for clarity and neutrality, softening broad claims about Brâncuși’s role in modern sculpture, improving the sentence on his training in Romania and
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The New York Times: Constantin Brancusi
agerpres: BrancusiYear/Small table and trovants, story of Constantin Brancusi's lesser-known works
scmp.com: How Constantin Brancusi’s Paris studio changed a Hong Kong designer toymaker’s life
Euronews: Paris’ Centre Pompidou gives modern sculptor Constantin Brancusi his biggest show yet
For ARTE France with the Centre Pompidou and Le Fresnoy
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The duo AROTIN & SERGHEI installed Infinite Light Columns on the façades of IRCAM and the Centre Pompidou during the ManiFeste festival
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The Council of State ruled that the sculpture had been acquired for the grave and permanently incorporated into the monument
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The Romanian Parliament designated February 19 as Brâncuși Day
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Google created a Google Doodle for the 135th anniversary of Brâncuși's birth
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Claes Oldenburg compared his proposal for the monumental sculpture Clothespin with Brâncuși's The Kiss in the screenprint Proposal for a Colossal Structure in the Form of a Clothespin, Compared to Brancusi's Kiss
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Georg Olden used Bird in Space as a starting point for the design of the Clio Award statuette
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Died 1957-03-16.
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“When we are no longer young we are already dead”
Bequeathed to the French state the sculptures, bases, sketches, photographs, films, furniture, tools, books, and records that remained there
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Brâncuși received French citizenship, for which he had applied the previous year
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Walter and Louise Arensberg donated their collection to the Philadelphia Museum of Art
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With scholarships from the French government
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Completed La Tortue and a new version of Le Phoque
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And 1941, he added rooms for unfinished works, his workbench, and his tools
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The Museum of Modern Art included his work in Cubism and Abstract Art
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Brâncuși met the New Zealand pianist Vera Moore through the collector and curator Jim Ede
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Harry and Caresse Crosby commissioned portraits of James Joyce from Brâncuși for the limited edition of Tales Told of Shem and Shaun, published by the Black Sun Press
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With the sculpture being accepted as a work of art
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The Japanese American sculptor Isamu Noguchi worked as an assistant in Brâncuși's studio
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And was taxed by customs officials as a manufactured metal object
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The Paris magazine This Quarter published photographs, drawings, and aphorisms by Brâncuși
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Brâncuși received the Order of the Star of Romania from King Ferdinand I
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Met Man Ray, who helped him buy equipment, set up a darkroom, and improve his developing methods
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Took part in the Dada festival in Paris and signed the manifesto Contre cubisme, contre dadaïsme with Léger
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And received a permanent exemption on November 8, 1917
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The Modern Gallery, founded by Marius de Zayas, bought Le Nouveau-Né I
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Donated works to an exhibition at Bernheim-Jeune that raised money for Polish artists affected by the war
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Acquired a version of Mademoiselle Pogany from 291
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Traveled to Chicago, and ended in Boston
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Met the Hungarian painter Margit Pogány, who was studying in Paris
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Was installed in 1911 on the grave of Tatiana Rachewskaia at Montparnasse Cemetery
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And installed in 1911 on the grave of Russian medical student Tatiana Rachewskaia
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Brâncuși moved away from modeling in clay, a method used to prepare sculpture for casting, and began carving stone directly
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Exhibited for the first time at the salon of the Société Nationale des Beaux-Arts and at the Salon d'Automne
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Was commissioned to make a monument to the physician and general Carol Davila
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Entered the Craiova School of Arts and Crafts
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In the village of Hobița, in Gorj County
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Born 1876-02-19.
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