The New Classical FM: Composer of the Week: Claudio Monteverdi
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Claudio Giovanni Antonio Monteverdi was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history.
Text from Wikipedia, available under CC BY-SA 4.0.
entertainment · Italian composer (1567–1643) · music theorist · viol player · Catholic priest · classical composer · singer · composer · opera composer · choreographer · musicologist · court chapel master · also Claudio Monteverdi, Claudio Monteverde, Monteverdi, Claudio Giovanni Antonio Monteverdi
Born 15 May 1567 · Died 29 November 1643 · Q53068
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Deus in adiutorium
It-Claudio Monteverdi
Laudate pueri
Monteverdi-cor mio mentre vi miro
Monteverdi - Lamento della Ninfa
Monteverdi - non si levav'ancor
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The New Classical FM: Composer of the Week: Claudio Monteverdi
Colin's Column: Additional photo (1) for… BBC Proms 2026 on Thursday August 6 @ Royal Albert Hall, London – Sir Mark Elder conducts Orchestre Révolutionnaire et Romantique & Monteverdi Choir in Weber’s opera Oberon, Nicky Spence in title role.
The Guardian: L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi
The Guardian: From Masters of the Universe to Monteverdi: your complete entertainment guide to the week ahead
Avvenire: Claudio Monteverdi, sempre nuovo da 400 anni
The Guardian: L’Incoronazione di Poppea review – sexting, dope and toxic masculinity in Monteverdi update
The Guardian: Monteverdi: L'Orfeo review | Andrew Clements's classical album of the week
NPR: Claudio Monteverdi
The Guardian: House of Monteverdi review – new music and MP3s take on the madrigal challenge
Released album “Vespro della Beata Vergine”.
Released album “Orfeo”.
Released album “Lamenti barocchi, vol. 1”.
Released album “Vespers of the Blessed Virgin”.
Released album “Madrigali guerrieri et amorosi libro ottavo”.
Released album “Lamento d'Arianna”.
Released album “Maria-Vespers”.
Released album “Combattimento di Tancredi e Clorinda / Ballo delle ingrate / Tirsi e Clori”.
Released album “Baroque, Vol. 7: Choral Works”.
Released album “Madrigali amorosi / Madrigali guerrieri / Missa in illo tempore”.
Released album “Marien‐Vesper (highlights) / Madrigals”.
Released album “Il Ritorno Di Ulisse In Patria”.
Released album “Madrigali Concertati”.
Released album “Madrigali Amorosi”.
Released album “Il Ritorno D'Ulisse in Patria”.
Released album “Arie e Duetti”.
Released album “Il combattimento di Tancredi e Clorinda: Madrigali guerrieri ed amorosi”.
Released album “Il terzo libro de madrigali 1592”.
Released album “Madrigali a 5 voci”.
Released album “Schütz and Venice”.
Released album “Selva Morale E Spirituale (II)”.
Released album “Selva Morale E Spirituale (I)”.
Released album “Il Secondo Libro De Madrigali, 1590”.
Released album “Quarto Libro dei Madrigali”.
Released album “Madrigali erotici e spirituali”.
Released album “Selva morale e spirituale: recueil de 1640 (extraits)”.
Released album “Madrigali guerrieri et amorosi”.
Released album “Il sesto libro de madrigali”.
Released album “Dixit Dominus and other motets”.
Released album “Missa in illo tempore / Messa a quattro voci”.
Released album “Venetian Church Music”.
Released album “Miserere mei Deus”.
Released album “Il Ballo dellʼ Ingrate / Il Combattimento di Tancredi e Clorinda / Ballo ‘Movete’ / Altri Canti dʼAmor”.
Released album “Extraits / Excerpts: Grands Compositeurs Baroques / Great Baroque Masters”.
Released album “L’ottavo libro de madrigali 1638: Madrigali guerreri”.
Released album “Monteverdi e il suo Tempo”.
Released album “L’ottavo libro de madrigali 1638: Madrigali amorosi”.
Released album “Salve Regina”.
Released album “Il sesto libro de madrigali 1614”.
Released album “Il Ottavo Libro De Madrigali - Balli / Volgendo il ciel / Combattimento di Tancredi e Clorinda / Il ballo delle ingrate (1638)”.
Released album “Manieristische Madrigale”.
Released album “Vespro della Beata Vergine 1610”.
Released album “Settimo libro de madrigali del Signor Claudio Monteverdi”.
Released album “Quinto Libro Dei Madrigali, 1605”.
Released album “Madrigali”.
Released album “Second Vespers for the Feast of Santa Barbara”.
Released album “Faure: Requiem / Monteverdi: Madrigali e Arie profane”.
Released album “L’Orfeo, Ulisse, Poppea”.
Released album “Vespri di S. Giovonni Battista”.
Released album “Il combattimento di Tancredi e Clorinda, SV. 153”.
Released album “L'Orfeo”.
Released album “Masses and Motets”.
Released album “Duets & Solos (The Consort of Musicke feat. director: Anthony Rooley, soprano: Emma Kirby, soprano: Evelyn Tubb)”.
Released album “Cathy Berberian Sings Monteverdi”.
Released album “Madrigals 4 & 5 (The Consort of Musicke feat. conductor: Anthony Rooley)”.
Released album “Les Vêpres de la Vierge”.
Released album “"Concerto" (1619)”.
Released album “Il Combattimento di Tancredi e Clorinda / Lamento d'Arianna”.
Released album “Sacred Vocal Music”.
Released album “L'Incoronazione di Poppea”.
Released album “Olympia's Lament”.
Released album “Vespro Della Beata Vergine / Missa "In Illo Tempore"”.
Released album “L’incoronazione di Poppea”.
Released album “Vespro della Beata Vergine, 1610”.
Released album “Selva morale e spirituale”.
Released album “L'Orfeo (Favola In Musica)”.
Released album “Il Combattimento, Madrigali”.
Released album “8 Madrigali guerrieri e amorosi”.
Released album “Il Combattimiento di Tancredi e Clorinda - 4 canti guerrieri e amarosi”.
Released album “Balli e Balletti”.
Released album “Vespro della Beata Virgine”.
Released album “Anne Sofie von Otter”.
Released album “Addio Florida bella”.
Released album “Monteverdi - Un concert Spirituel”.
Released album “Madrigali erotici”.
Released album “Altri Canti”.
Released album “Il ritorno d’Ulisse in patria, SV 325”.
Released album “Vespers (1610) (Vespro della Beata Vergine)”.
Released album “L’Orfeo”.
Released album “Scherzi Musicali”.
Released album “Il combattimento di Tancredi e Clorinda and Other Madrigals from Book VIII”.
Released album “Monteverdi”.
Released album “Magnificat / Messe "In illo tempore"”.
Released album “Palestrina – Monteverdi”.
When Robert Eitner published a shortened version of the Orfeo score
Text from Wikipedia, available under CC BY-SA 4.0.
Died 1643-11-29.
Text from Wikipedia, available under CC BY-SA 4.0.
“Od czasu Monteverdiego muzyka sakralna nie była już nigdy tym samym co przedtem, czyli spekulatywnym ukazaniem porządku i harmonii sfer, odczytywanej za pomocą rozumu ludzkiego w stworzeniu i w duszy ludzkiej. Muzyka sakralna stała się odtąd próbą odmalowania tajemnic wiary za pomocą świeckich muzycznych środków wyrazu.”
“Monteverdi to geniusz, szkoda, że zachowały się tylko trzy napisane przez niego opery.”
“Monteverdi jest w rzeczywistości bardziej futurystyczny niż inni kompozytorzy tego okresu.”
“Claudio Monteverdi, prefácio do quinto livro de madrigais, 1605. Página, 275.”
“Geniusz Monteverdiego wyeksploatował, zda się, wszystkie ekspresyjno-dramaturgiczne możliwości madrygału jako odrębnej formy; a równocześnie maksymalnie tę formę otworzył i wytyczył kierunki rozwoju dla wywodzących się z madrygału nowych form i gatunków muzyki. […] Na Monteverdim tedy dzieje formy madrygału właściwie się kończą.”
“Twierdzę, że Monteverdi był fizycznie niezdolny do napisania dzieła, które stawałoby po ciemnej stronie mocy.”
“Świat muzyki Monteverdiego jest to „świat poruszony” i wzburzony, w najbardziej zresztą estetycznym sensie.”
“Powiedzieć, że muzyka Monteverdiego jest w szczególny sposób nasycona ekspresją – to mało.”
Career landmark: chapelmaster (1613–1643).
Text from Wikipedia, available under CC BY-SA 4.0.
Career landmark: chapelmaster (1601).
Text from Wikipedia, available under CC BY-SA 4.0.
Born 1567-05-15.
Text from Wikipedia, available under CC BY-SA 4.0.
Geniusz Monteverdiego wyeksploatował, zda się, wszystkie ekspresyjno-dramaturgiczne możliwości madrygału jako odrębnej formy; a równocześnie maksymalnie tę formę otworzył i wytyczył kierunki rozwoju dla wywodzących się z madrygału nowych form i gatunków muzyki. […] Na Monteverdim tedy dzieje formy madrygału właściwie się kończą.
Od czasu Monteverdiego muzyka sakralna nie była już nigdy tym samym co przedtem, czyli spekulatywnym ukazaniem porządku i harmonii sfer, odczytywanej za pomocą rozumu ludzkiego w stworzeniu i w duszy ludzkiej. Muzyka sakralna stała się odtąd próbą odmalowania tajemnic wiary za pomocą świeckich muzycznych środków wyrazu.
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