Yahoo: Cecil B. DeMille Award Winners: Every Star Who's Ever Earned the Golden Globes' Big Honor
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Cecil Blount DeMille, often known in popular culture as Mr. DeMille, was an American filmmaker and actor. Between 1914 and 1958, he created 70 features including silent and sound films. He is acknowledged as a founding father of American cinema and the most commercially successful producer-director in film history, with many films dominating the box office three or four at a time. His films were d…
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entertainment · American filmmaker and actor (1881–1959) · film producer · film director · film editor · screenwriter · playwright · actor · stage actor · radio personality · film actor · theatre director · also Cecil B. DeMille, Cecil Blount DeMille, Cecil B. de Mille, Cecil De Mille, Cecil B DeMille, Cecil B. De Mille
Born 12 August 1881 · Died 21 January 1959 · Q72267
72 published statements · 0 followers
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14 photos · 1 video
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The Squaw Man (1914)
Oscar Apfel (1878–1938), Cecil B. DeMille (1881–1959) · Public domain
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Yahoo: Cecil B. DeMille Award Winners: Every Star Who's Ever Earned the Golden Globes' Big Honor
Gold Derby: Who should receive the 2026 Cecil B. DeMille Award?
E!: 2025 Golden Globes: Viola Davis' Powerful Cecil B. DeMille Award Speech Will Inspire You
To make way for a new high school, and Cecil B
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And features some of DeMille's personal artifacts
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Died 1959-01-21.
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“Actors are born, and every human being is born an actor.”
“This will probably be my last film—it will certainly be my biggest.”
“It's not just a good part, it's a great part, but until Miss Goddard passed her screen test as Louvette, I hadn't been able to find a Hollywood actress who both looked it and could play it convincingly. What most of the candidates lacked was imagination.”
“Sensible married women usually stop acting after the honeymoon—but not their husbands. Young men go on acting parts until they reach maturity, and from there to the grave they're preoccupied with the problem of acting normal. Most men, I'm sorry to say, are "hams" at heart.”
“This bouquet is not given lightly. I've worked with many of the screen's greatest stars, and, if I were tendering posies merely to strike a popular chord, I should pick one of them. But Tamiroff is so far ahead of the field as a hard-working artist that he easily claims all awards.”
“Legend rides high with history, but truth follows a lonely trail. I've pursued verity from the museum at Cairo to the smoking tepees of the Cheyennes at Lame Deer, Montana.”
“Joan the Woman was the most interesting undertaking from the point of view of the artists and the director in the history of the pictures, I believe. It is entirely different from the spectacle features, as it is essentially drama, with the story always first and most important and the spectacular features secondary, although many critics have more than praised the battles and scenes of pageantry.”
“Only those who day by day are in the midst of motion pictures can really appreciate the wonderful opportunities for extraordinary things which the camera permits, and although we are still more or less in the beginning of things (I do not like to think we have really touched the great springs of the art as yet) we are struggling, working, studying all the time to better the production.”
“Who can tell what the years of the future will bring to the art of the motion picture in view of the amazing progress of the past few years.”
“Motion pictures are the most important contribution to literature and art since the invention of fiction.”
Received an honorary Doctorate of Law degree from Temple University
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DeMille gave the commencement address for the graduation ceremony of Brigham Young University, wherein he received an honorary Doctorate of Letter degree
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In Paris and Hollywood on 30 different sound stages
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While in Egypt filming the Exodus sequence for The Ten Commandments, DeMille (who was 73) climbed a 107-foot (33 m) ladder to the top of the set and had a serious heart attack
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“The Desert Gets A Wash-And-Brush-Up For ... Moses' Poses”
Awarded Academy Award for Best Picture for The Greatest Show on Earth (1953).
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DeMille signed a contract with Prentice Hall to publish an autobiography
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And a Lifetime Achievement Award from the Directors Guild of America Award the same year
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Won Golden Globe Cecil B. DeMille Award (1952).
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DeMille sought approval for a lavish remake of his 1923 silent film The Ten Commandments
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DeMille was awarded the first Cecil B
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And a Best Picture award in 1953 for The Greatest Show on Earth
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DeMille worked with Jeanie MacPherson and William DeMille to produce a film, Queen of Queens, that was intended to be about Mary, mother of Jesus
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DeMille released Paramount's most successful film, Reap the Wild Wind
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And donated profits to World War II relief charities
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“Hollywood News: De Mille on Acting”
To film Ernest Hemingway's For Whom the Bell Tolls due to its communist themes, even though he had already paid $100,000 for the rights to the novel
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DeMille's Union Pacific was successful through DeMille's collaboration with the Union Pacific Railroad
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“Private Lives of Film Stars - Akim Tamiroff”
DeMille supervised the film compilation Land of Liberty as the American film industry's contribution to the 1939 New York World's Fair
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“Ah, Verity, Verity! Thy Name's DeMille”
“Move Stardom Helped by Love, Says De Mille”
“Famous Director: His Faith in the Future”
“Every year a new lesson is learned, but the one precept that never fails to be true is that a good picture will always be well received by the public. During 1933 particularly, the public displayed shrewd taste in supporting pictures which have been produced with great care and the finest of production materials.”
And 1934, This Day and Age and Four Frightened People
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“Truth and Logic: Now Prime Consideration”
DeMille returned to Paramount at Lasky's request, bringing with him his own production unit
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Made his largest campaign donation to Hoover
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DeMille made a successful transition, offering his own innovations to the painful process; he devised a microphone boom and a soundproof camera blimp
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DeMille released the modern melodrama The Ten Commandments, a significant change from his previous irreligious films
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The couple adopted Richard DeMille
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DeMille purchased a yacht he called The Seaward
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DeMille contracted rheumatic fever in Paris
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Whom Adams had found in the orphanage she directed
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Remade The Squaw Man (1918), only four years after the original
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“Cecil De Mille Gives Views on Pictures and Art”
The Jesse Lasky Feature Play Company merged with Adolph Zukor's Famous Players Film Company, becoming Famous Players–Lasky
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DeMille purchased a mansion in Hollywood
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Exhausted from three years of nonstop filmmaking, DeMille purchased land in the Angeles National Forest for a ranch that would become his getaway
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An extra, Charles Chandler, died on set when another extra failed to heed DeMille's orders to unload all guns for rehearsal
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DeMille, his cast, and crew boarded a Southern Pacific train bound for Flagstaff via New Orleans
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Of which DeMille became director-general
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DeMille became acquainted with vaudeville producer Jesse Lasky when Lasky was searching for a writer for his new musical
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Constance and DeMille had a daughter, Cecilia, their only biological child
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Due to a scandal including one of Beatrice's students, Evelyn Nesbit, the Henry de Mille School lost students
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At Adams's father's home in East Orange, New Jersey
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DeMille starred in productions of A Repentance, To Have and to Hold, and Are You a Mason
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In the play Hearts Are Trumps at New York's Garden Theater
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With the theatrical company of Charles Frohman
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And for graduation, his performance was in the play The Arcady Trail
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At age 40, Henry de Mille died suddenly from typhoid fever, leaving Beatrice with three children
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The family returned with the newborn DeMille to their flat in New York
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In a boarding house on Main Street in Ashfield, Massachusetts, where his parents had been vacationing for the summer
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Born 1881-08-12.
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Despite Beatrice's parents' objections due to the young couple's differing religions; Beatrice converted to Episcopalianism
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When she was 18; the newly arrived family settled in Brooklyn, New York, where they maintained a middle-class, English-speaking household
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